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Rémy drops “Quelques Notes”: the loud silence of French rap

Turn it up loud, in complete silence.

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Seven minutes. One man facing a camera. And yet, a performance that stands in stark contrast to the surrounding noise. Quelques Notes, the title itself feels like a living oxymoron: just a few notes, yet they carry tremendous weight. An apparent modesty that conceals boundless ambition. Rémy emerges larger from what initially seemed small.

The track runs for 6 minutes and 58 seconds, an eternity in a music landscape driven by short-form formats. Yet it is precisely in this deliberate pace that its strength lies. The video has already surpassed 95,000 views, which speaks volumes.

The poor child who became a voice rich in humanity

Rémy Camus was born on January 13, 1997, in the modest surroundings of the Pont-Blanc housing estate in Aubervilliers, Seine-Saint-Denis, the son of a factory worker father and a building caretaker mother. Nothing. And yet, everything. For it is from this apparent lack that he draws a rare abundance: the gift of finding the right words.

At the age of 10, he was already writing. At 17, he dropped out of his vocational sales program at Suger High School in Saint-Denis with only one certainty in mind: rap. A decision that looked less like giving up and more like a conquest. Mac Tyer, a pillar of the group Tandem and a fellow native of the 93, spotted his talent and opened a door for him on the album Banger 3. From one of the most ordinary streets emerged a truly distinctive artist.

His first single, J’ai vu, earned him a deal with Def Jam France in 2017, turning an unknown artist into a household name. C’est Rémy, his debut album released on March 23, 2018, sold more than 40,000 copies within a few months and was certified Gold in July 2019. The building caretaker’s son entered the house through the front door.

A discography built on fruitful contradictions

Since then, Rémy has been building a body of work shaped by deliberate paradoxes: Rémy d’Auber (2019), local roots with national ambition. Renaissance (2022), death and rebirth in a single breath. Camus and Le fils de la gardienne in 2023, where the philosopher and the child coexist within the same man. Après la pluie (2024), the storm has passed but is never truly forgotten.

Tracks like Doucement in an acoustic session in 2025, or Libre-penseur the same year, already pointed in the same direction: Rémy isn’t trying to appeal quickly, he’s building for longevity.

Silence as an instrument. Emptiness as an argument. Rémy embraces simplicity, and it is this deliberate restraint that becomes the richest expression of his career.

Available on all platforms. Turn it up loud and listen in complete silence.

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