{"id":9716,"date":"2025-11-07T14:18:20","date_gmt":"2025-11-07T19:18:20","guid":{"rendered":"https:\/\/www.magazinehiphop.com\/?p=9716"},"modified":"2025-11-22T19:23:32","modified_gmt":"2025-11-23T00:23:32","slug":"como-yo-vivi-de-decalifornia-ft-lil-clown-twixxy","status":"publish","type":"post","link":"https:\/\/www.magazinehiphop.com\/en\/como-yo-vivi-de-decalifornia-ft-lil-clown-twixxy\/","title":{"rendered":"''Como yo vivi'' by DeCalifornia Ft. Lil Clown & Twixxy"},"content":{"rendered":"

A few months after the success of The path for the haters<\/a><\/strong><\/em>, Twixxy<\/a><\/strong> and El Chueko DeCalifornia<\/a><\/strong> come back in force with Como Yo Viv\u00ed<\/em><\/strong>, a piece where pride, resilience and cultural heritage intertwine.<\/p>\n\n\n\n

The clip, shot at Celaya (Guanajuato)<\/strong> as part of the concert and cultural event Entras Vivo ~ Sales Muerto<\/strong><\/em>, highlights the community Raza Unida Low\u2019s<\/strong>, a local collective known for its lowrider gatherings and community initiatives around Chicana culture.<\/p>\n\n\n\n

The piece brings together El Chueko DeCalifornia<\/strong>, Twixxy<\/strong>, and Lil Clown<\/a><\/strong>, accompanied by Fosil Green Catrin<\/strong> and Flacko MadaFacka<\/strong>, well-known figures of the movement. <\/p>\n\n\n\n

The key phrase of the chorus alone summarizes the message: to accept one\u2019s story, despite the criticism, and to hold one\u2019s head high.:<\/p>\n\n\n\n

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\u00abDonde yo nac\u00ed\u2026 como yo viv\u00ed\u2026 la frente en alto as\u00ed, fuck y\u2019all, we doing us y\u2019all wanna be\u00bb<\/em> <\/p>\n\n\n\n

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Visually, the clip plays on authenticity: alleys of Guanajuato, colorful graffiti, sparkling lowriders and portraits of local artists. The atmosphere reflects the daily reality of those who continue to wear the colors of the chicana culture.<\/strong><\/p>\n\n\n\n

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Back to ''El corrido pa los haterz''<\/strong><\/h2>\n\n\n\n

Released earlier in 2025, the title The path for the haters<\/a><\/strong> marked a first collaboration between Twixxy<\/strong> and El Chueko DeCalifornia<\/strong>. Directed by the Ortega brothers at Pasadena<\/strong>, the clip was already celebrating the identity duality and pride of origin.<\/p>\n\n\n\n

Twixxy<\/strong> proclaimed there with assurance: <\/p>\n\n\n\n

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\u00abI get it from my momma all the way in Mexico\u00bb<\/em><\/p>\n<\/blockquote>\n\n\n\n

, claiming his roots while anchoring his music in the urban reality of the west coast. The 1965 Chevrolet Impala<\/strong>, emblem of the Californian lowrider, held a central place, a true symbol of a way of life, an aesthetic and a collective memory.<\/p>\n\n\n\n

The peasants<\/strong> MamiSol<\/strong>, Carmen<\/strong>, Priscila<\/strong> and Twixxy<\/strong>, made up by Cindy<\/strong> and Abi<\/strong>, brought a festive touch inspired by Latin American traditions, merging street art and visual theatricality.<\/p>\n\n\n\n

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A trajectory in full ascension<\/strong><\/h2>\n\n\n\n

El Chueko<\/strong> multiplies collaborations and connects the Mexican and Mexican-American communities through a common thread: memory, family, and loyalty.<\/p>\n\n\n\n

His discography, available on Spotify<\/strong>, traces a journey marked by sincerity and cultural commitment, a bridge between the streets of California and Mexican roots.<\/p>\n\n\n\n

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